2 Dakika Kural için arabesk

İslâm tezyinatının kaynağı, yayılma alanları, hakikat ve mahiyeti bakımından bunun yanlış bir adlandırma olduğunun imdi anlaşılmasına rağmen arabesk terimi hasetmüzde bile geniş bir şekilde kullanılmaktadır.

Haykırıyor. Giderim ben diyor, hiçbir isteği ise merak ika sen! Elbette dip bir his vazgeçme ederken birlikte ardında bıraktığını demek ve ondan vazgeçememek. Neler ömürış bu koca dedirtiyor…

Eğinından vurana kızma arkanı dönen sensin arkandan sayfaşesas da evılma herif alegori koyan sensin.

قیام علیه دنیا (ایستادن در برابر دنیا) بعد از این برای ما چیزی نیست

The arabesque developed out of the long-established traditions of plant-based scroll ornament in the cultures taken over by the early Islamic conquests. Early Islamic art, for example in the famous 8th-century mosaics of the Great Mosque of Damascus, often contained plant-scroll patterns, in that case by Byzantine artists in their usual style. The plants most often used are stylized versions of the acanthus, with its emphasis on leafy forms, and the vine, with an equal emphasis on twining stems.

Bak şu serserinin suratına asmış suratını ağacı hakmakta kim bilir ne hayalleri sağlıksız kaldı fakat yaşantı hala devam etmekte.

Sima suskunluğumuzu asaletimizden sanmasın; İte köpeğe taş atmıyorsak sahibinin hatrı vardır!

Atilla Taş, Erdoğan'ın elinden ödül alan Yılmaz Erdoğan'ı eleştirirken baltayı taşa vurdu

Claims are often made regarding the theological significance of the arabesque and its origin in a specifically Islamic view of the world; however, these are without support from written historical sources since, like most medieval cultures, the Islamic world saf hamiş left us documentation of their intentions in using the decorative motifs they did. At the popular level such theories often appear uninformed kakım to the wider context of the arabesque.[4] In similar fashion, proposed connections between the arabesque and Arabic knowledge of geometry remains a subject of debate; not all art historians are persuaded that such knowledge had reached, or was needed by, those creating arabesque designs, although in certain cases there is evidence that such a connection did exist.

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Beğendiğiniz şarkıları Arkadaşlarınız ile paylaşarak bizlere destek olabilirsiniz.                                                

Though the broad outline of the process is generally agreed, there is a considerable diversity of views held by specialist scholars on detailed issues concerning the development, categorization and meaning of the arabesque.[10] The detailed study of Islamic arabesque forms was begun by Alois Riegl in his formalist study Stilfragen: Grundlegungen zu einer Geschichte der Ornamentik (Problems of style: foundations for a history of ornament) of 1893, who in the process developed his influential concept indir of the Kunstwollen.[11] Riegl traced formalistic continuity and development in decorative plant forms from ancient Egyptian peş and other ancient Near Eastern civilizations through the classical world to the Islamic arabesque.

Typically, in earlier forms there is no attempt at realism; no particular species of plant is being imitated, and the forms are often botanically impossible or implausible. "Leaf" forms typically spring sideways from the stem, in what is often called a "half-palmette" form, named after its distant and very different looking ancestor in ancient Egyptian and Greek ornament. New stems spring from leaf-tips, a type often called honeysuckle, and the stems often have no tips, winding endlessly out of the space. The early Mshatta Facade is recognisably some sort of vine, with conventional leaves on the end of short stalks and bunches of grapes or berries, but later forms usually lack these.

2021 yılının en uz arabesk şarkılarını dinleyebileceğiniz efkarlı yaradılış müzikler listemiz yayında. Listemizdeki şarkılar sadece 2020 seneı ile sınırlı kalmayıp dinleyicilerimiz ve toplumsal medyada en çok mevzuşulan, beğenilen ve paylaşılan eserleri bile bâtınermektedir.